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Tuesday, August 28, 2012

OVIPAROUS LEMURIANS IN FILIPINO MYTH


OVIPAROUS LEMURIANS IN FILIPINO MYTH

Erle Frayne D. Argonza


Quite widely distributed, on the other hand, is the belief that mankind originated from eggs. In the Philippines a bird laid two eggs, one at the source of a river and one at its mouth, a woman coming from the first and a man from the second. For long years the man lived alone, until one day when he was bathing, a long hair, floating in the water, entangled his legs so that he reached the bank with difficulty. Examining the hair, he at once determined to find its owner, and so travelled upstream until he met the woman, whom he then married.

REFLECTION

The mythos is a capsule version of the Limokon creation myth. As discussed in an earlier article, the myth does highlight the egg-laying or oviparous phase in human evolution. Anthropogenesis is the occult term used for human evolution in divine wisdom or Theos Sophia.

The evolution of humans from the shadowy, etheric Pangeans to the oviparous Lemurians, took many eons to pass. The time element counted by the millions of years, as etheric humans first appeared over 100 million years ago. The sexed humans, who procreated as Man and Woman in union, appeared roughly 16-18 million years ago.

It coincides with the coming of Ancient of Days, who begged that humans be allowed to reincarnate and procreate sexually, so that they won’t ever again have sex and generate monstrosities of offsprings with animals. Yes, Companions in Light, the early humans did experiment on sexing with animals by over-shadowing them and using the animal vehicles (bodies) to have sex. In the process, many human souls were trapped in the monstrosities they created.

That was when Sanat Kumara, or Ancient of Days, decided to plea for Terrans, and proposed that reincarnation be the law for them. Thus approved by the Council of 24 Elders, Sanat Kumara came to Earth, bringing along 6 other Kumaras via Venus, and helped Terrans in bringing them back to the Almighty Providence through re-incarnation, Twinflame mating, sexual procreation, and dharma.

As the myth suggests, Man and Woman lived separately for a long long time, which signifies the eons it took for hermaphroditic and oviparous humans to exist. The ‘hair’ of the woman signifies the ‘electric’ qualities inherent in the Femine, which matches with the ‘magnetic’ qualities of the Male. The Law of Duality/Polarity once again embedded and revealed in a Malayan (Filipino) myth.

[Philippines, 24 June 2011]

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Monday, August 27, 2012

LEMURIA & ANTHROPOGENESIS IN TAGALOG CREATION MYTHOS


LEMURIA & ANTHROPOGENESIS IN TAGALOG CREATION MYTHOS

Erle Frayne D. Argonza / Ra

The Creation Story - Tagalog

When the world first began there was no land, but only the sea and the sky, and between them was a kite (a bird something like a hawk). One day the bird which had nowhere to light grew tired of flying about, so she stirred up the sea until it threw its waters against the sky. The sky, in order to restrain the sea, showered upon it many islands until it could no longer rise, but ran back and forth. Then the sky ordered the kite to light on one of the islands to build her nest, and to leave the sea and the sky in peace.
Now at this time the land breeze and the sea breeze were married, and they had a child which was a bamboo. One day when this bamboo was floating about on the water, it struck the feet of the kite which was on the beach. The bird, angry that anything should strike it, pecked at the bamboo, and out of one section came a man and from the other a woman.
Then the earthquake called on all the birds and fish to see what should be done with these two, and it was decided that they should marry. Many children were born to the couple, and from them came all the different races of people.
After a while the parents grew very tired of having so many idle and useless children around, and they wished to be rid of them, but they knew of no place to send them to. Time went on and the children became so numerous that the parents enjoyed no peace. One day, in desperation, the father seized a stick and began beating them on all sides.
This so frightened the children that they fled in different directions, seeking hidden rooms in the house -- some concealed themselves in the walls, some ran outside, while others hid in the fireplace, and several fled to the sea.
Now it happened that those who went into the hidden rooms of the house later became the chiefs of the islands; and those who concealed themselves in the walls became slaves. Those who ran outside were free men; and those who hid in the fireplace became negroes; while those who fled to the sea were gone many years, and when their children came back they were the white people.
REFLECTION

I already wrote articles about the Tagalog creation mythos, which I will reprint in this piece. In the version above, the ‘kite’ is mentioned as the bird involved in the making of humans, while is another version it was the ‘dove’. A slight difference, although the Dove is more potent a symbol as signifier of the Father Deity.

[Philippines, 24 June 2011]

TAGALOG CREATION MYTH: SCIENCE OF BIRTHING REVEALED

Erle Frayne D. Argonza / Ra

Let me bring you another folk lore from the Malays: the creation myth of the Tagalogs. Tagalogs are the ethnic groups of Luzon island in the Philippines, from whose dialect came forth the foundations of the national language of Filipino.

Tagalog is a coinage of Taga Ilog, literally meaning “from the river.” The river in the term is a referent for the hydrological societies that pervaded the Philippine archipelago prior to the advent of western imperialism and colonialism.

A nation richly endowed with folklore, with myths and legends, the Philippines counts among its popular lores the myth of ‘Malakas and Maganda’. Literally, it translates as ‘myth of Strong (Malakas) and Beautiful (Maganda).’

The myth goes that there was once a bamboo floating listlessly by the oceans. The bamboo finally ceased to float as it landed on a coast in the Philippines. As it did so, a white dove flying above descended on the bamboo and pecked it accordingly. The bamboo then split, and out came Malakas and Maganda. The Filipinos are their descendants.

A very ancient narrative, the mythos is, to my mind, a repository of a science that was already known in the ancient times: the science of birthing. Such a science was eventually lost, as the end of the ice age inundated land masses, sunk continental chunks of lands, and led to a dark age of sorts.

Despite the retreat of civilization after the end of the last glacial period, the survivors found ample means to preserve the knowledge and information that they could preserve through folklore (myths & legends). Let’s take the signifiers one by one.

·         Let’s take the case of the sea/ocean first of all. The water in the seas is a signifier for the amniotic fluid inside the mother’s womb. In the womb is, of course, the ovum which is a facility for birthing.

·         The bamboo, with its nodes, long and pliant, is signifier for the DNA/genes. It is unimaginable to create humans without the genetic vehicle for their making, the vehicle being no other than the DNA.   

·         The dove is a bird. The bird is signifier for ‘desire’ and the phallus as well. Both desire and phallus are key biological facilities in creating life forms. The bird pecking the bamboo signifies the procreation act.

·         From inside the bamboo, one presumably finds the masculine (Malakas) and feminine (Maganda) elements or identities. Which is what it is: both masculine and feminine genes are already inherently present in the DNA.

·         Having both a Malakas (masculine) and a Maganda (feminine) in one space, co-equal, refers to the law of duality. The DNA has two (2) strands, gender has two identities (male, female), and so on.

·         The soil, as indicated by the coast, signifies the elements of the Earth. All such elements are present in the human body. Without such elements, without biological matter containing such elements, babies can’t be produced. Soil is matter, from the Latin word ‘mater’ or matter, as it is also the feminine element (mother, mater).

That Malakas and Maganda simultaneously came out together from the same bamboo signifies the gender equality among the ancient Malays. Patriarchy was alien to the Malays, who were among the last subraces of the Atlantean ‘root race’ to evolve in history.

Patriarchy was largely imposed from the outside: from Islam it was imposed upon southern Filipinos, from Christianity unto Northern Filipinos. Indians and Chinese also migrated to the islands, introducing their brand of patriarchy.

Yet no matter how much tons of debris may have buried the ancient ways of the Tagalogs/Filipinos, they were not totally buried after all. One only needs to mine their folklores, of which volumes of documentation works were already published, to be able to extract and unveil hidden truths.

As I’ve been saying all along, the contributions of Malays to the Teaching (‘God’s Word, higher mysteries) are found more in their folklores rather than their scriptures. Malayan scriptures are Islamic, Buddhist, and Christian, or impositions from outside. Folklores are originally their creative production, and are repositories of High Knowledge and wisdom. Such a thesis is exemplified by the Tagalog creation myth.

[Philippines, 22 May 2010]


TAGALOG CREATION MYTH: LEMURIAN & COSMIC REVELATIONS

Erle Frayne D. Argonza / Ra

Magandang araw! Good day! Buenos dias!

This time around, I’ll share to you the cosmic-galactic facet of the Tagalog creation myth. As I’ve already elaborated elsewhere, the Malays (of whom Tagalogs form a part of) were created by a cross-galactic race (light-skinned) from out of the Lemurian descendants (dark-skinned), thus producing a tanned race that was lighter than the Lemurians.

Being a new breed then of Pacificians (from the Pacific Ocean), the Malays belonged squarely to the last races of the Atlantean ‘root race’ (see H.P. Blavatsky’s Secret Doctrine). They were bred almost at the same time as the White race that was a hybrid of light-skinned cross-galactic humans and the red-skinned Atlanteans.

To go back to the Tagalog creation myth, let me quote from a previous article: “The myth goes that there was once a bamboo floating listlessly by the oceans. The bamboo finally ceased to float as it landed on a coast in the Philippines. As it did so, a white dove flying above descended on the bamboo and pecked it accordingly. The bamboo then split, and out came Malakas and Maganda. The Filipinos are their descendants.” (See “Tagalog Creation Myth: Science of Birthing Revealed.”)

That being the synopsis of the mythos, let me re-stress that it is a coded message about the birthing of the Tagalogs/Malays. This time, the cosmic-galactic facet will be taken as the paradigm base. Let me take up the signifiers (code items) one by one:

  • Ocean/sea mystically refers to the unconscious or ‘causal plane’ element. That was where the ‘bamboo’ came from, to note. It means the awareness level of the Malays and their breeders corresponded to that level (7th Density at least) before the descent of humanity to its low 3rd Density level today.

  • Ocean also indicates the mass inundation of the Earth after the end of the glacial period. The last of Lemuria’s subcontinents sank across time as the ice caps melted and elevated the seawaters to much higher levels.

  • The ‘bamboo’ is referent for DNA as a whole, which is almost similar with the previous interpretation. This time though, note that DNA in the higher dimension is different, as it has more strands (12) than biological DNA (2).

  • Inside the bamboo are the two prospect gender, male and female. The Yin and Yang. Duality in One. Indeed, even the soul of a human has both masculine and feminine elements. So is the DNA, whether higher or lower dimension type.

  • Bamboo floating in the ocean/seas also signifies the attempts by the survivors of the post-glacial deluge to survive via floaters. Much like Noah’s floater. Noah was in fact of Lemurian roots, and produced a branch of tribes that would settle later in Western Asia. The same floaters brought survivors to lands that emerged after the floods receded, lands in the Pacific Ocean (including the Philippines).

  • From the ocean/seas, it landed in the coast. Soil signifies matter, as well as the maternal element (matter is Latin ‘mater’ or mother). It also signifies the physical plane, with the element of solidity (earth element) is dominantly marked.

  • A dove, white in hue, signifies the Galactic humans and their space vehicle. The myth reveals that the same Galactic breeders experimented on a new race. Quite observably, the same breeders or ‘creators’ used the species of humans already present then, who birthed through sexual procreation means (male and female in sexual intercourse). The earlier Lemurians were oviparous (egg-laying), while the latter were sexual in pro-creation.

  • The dove landed on the shores, as one can see. This means the Galactic creators, who came from the Air above (air is 6th Density or mental plane), had to descend to a lower dimension to be able to breed the Malays. Terrans were originally 5th Density in habitat, so it makes sense that the light-hued creators had to descend at least one Density lower from their domain.

  • The dove pecked the bamboo. This could mean that the creator race was also sexual in breeding or sort of, and it is possible that they actually pro-created with the Lemurian descendants. Otherwise, the new breed could have been created through laboratory means, which could also be possible.

  • Malakas and Maganda came out of the bamboo. Obviously, two (2) genders were involved as products of the breeding. And both of the genders were involved in birthing the ancient Tagalogs/Malays, who would later be among the chief tribes of the Filipino nation.

The Lemurians could have exercised gender equality, as indicated by the mythos. From the Lemurian descendants to the proto-Malays, the same cultural trait was disseminated. When the Moslems and Spaniards arrived in the islands, they discovered the prevalence of such a sociocultural trait among the islanders.

In closing, let me re-echo a thesis declared in a previous article: “As I’ve been saying all along, the contributions of Malays to the Teaching (‘God’s Word, higher mysteries) are found more in their folklores rather than their scriptures. Malayan scriptures are Islamic, Buddhist, and Christian, or impositions from outside. Folklores are originally their creative production, and are repositories of High Knowledge and wisdom. Such a thesis is exemplified by the Tagalog creation myth.” (See “Tagalog Creation Myth: Science of Birthing Revealed.”)

[Philippines, 23 May 2010]

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Wednesday, August 22, 2012

DOVE MAKES EGG-LAYING LEMURIANS: ALMIGHTY FATHER ALLUDED IN LIMOKON MYTH


DOVE MAKES EGG-LAYING LEMURIANS: ALMIGHTY FATHER ALLUDED IN LIMOKON MYTH

Erle Frayne D. Argonza

The Children of the Limokon - Mandaya (Mindanao)

In the very early days before there were any people on the earth, the limokon (a kind of dove ) were very powerful and could talk like men though they looked like birds. One limokon laid two eggs, one at the mouth of the Mayo River and one farther up its course. After some time these eggs hatched, and the one at the mouth of the river became a man, while the other became a woman.
The man lived alone on the bank of the river for a long time, but he was very lonely and wished many times for a companion. One day when he was crossing the river something was swept against his legs with such force that it nearly caused him to drown. On examining it, he found that it was a hair, and he determined to go up the river and find whence it came. He traveled up the stream, looking on both banks, until finally he found the woman, and he was very happy to think that at last he could have a companion.
They were married and had many children, who are the Mandaya still living along the Mayo River.
REFLECTION

The myth is one of the rare folklore narratives that use the ‘dove’ as metaphor for creation/evolution of humans. As already mentioned earlier, esoteric knowledge contends that the ‘dove’ is an archetype for the Father. Let it be known to all, that upon my ascension in 2008, the Dove appeared many times to ensure me of the Presence of the Almighty Providence, so near that you could almost touch it as it hovers in front of you.

To go on, the mythos says ‘limokon were very powerful and could talk like men’. This line revealed the prevalence of an ancient language known to the creator deities, a language that was affirmed in the book Keys of Enoch by J.J.Hurtak. It is a ‘fiery’ language, the ‘fiery’ or ‘fire’ signifying the causal plane (also called ‘higher mental’ plane) that is governed by the fire element.

The Dove as Father archetype is effervescent yet one can distinguish its features amid the dazzling Light. That effervescence coincides with the ‘fiery’ feature of the divine language as mentioned above. [Note: Only to an Ascended Master can the Father be seen in archetypal form.]

The ‘egg’ in the myth reveals the egg-laying way of procreation by the early Lemurians, notably the 1st, 2md, and 3rd sub-races. Those Lemurians were oviparous, their souls androgynous. The man looking for the woman upstream suggests that it took eons before the oviparous Lemurians evolved to the sexual Lemurians whose souls were either of male or female polarity (beginnings of Twinflame mates).

The ‘river’ is a water body, of the water element, which signifies that the early to mid-Lemurians were still in the astral-etheric plane or 2nd plane. The astral plane is governed by the water element. Being in that plane means Earth was then of higher vibratory frequency than it is today. That plane other esoteric circles call the 4th dimension.

[Philippines, 24 June 2011]

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PROF. ERLE FRAYNE ARGONZA WEBSITE: http://erleargonza.com

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Tuesday, August 21, 2012

FROM MU TO ARYAN: ANTHROPOGENESIS IN BAGOBO MYTHOS



Erle Frayne D. Argonza

Origin -  Bagobo (Mindanao)

In the beginning there lived one man and one woman, Toglai and Toglibon. Their first children were a boy and a girl. When they were old enough, the boy and the girl went far away across the waters seeking a good place to live in. Nothing more was heard of them until their children, the Spaniards and Americans, came back. After the first boy and girl left, other children were born to the couple; but they all remained at Cibolan on Mount Apo with their parents, until Toglai and Toglibon died and became spirits. Soon after that there came a great drought which lasted for three years. All the waters dried up, so that there were no rivers, and no plants could live.
"Surely," said the people, "Manama is punishing us, and we must go elsewhere to find food and a place to dwell in."
So they started out. Two went in the direction of the sunset, carrying with them stones from Cibolan River. After a long journey they reached a place where were broad fields of cogon grass and an abundance of water, and there they made their home. Their children still live in that place and are called Magindanau, because of the stones which the couple carried when they left Cibolan.
Two children of Toglai and Toglibon went to the south, seeking a home, and they carried with them women's baskets (baraan). When they found a good spot, they settled down. Their descendants, still dwelling at that place, are called Baraan or Bilaan, because of the women's baskets.
So two by two the children of the first couple left the land of their birth. In the place where each settled a new people developed, and thus it came about that all the tribes in the world received their names from things that the people carried out of Cibolan, or from the places where they settled.
All the children left Mount Apo save two (a boy and a girl), whom hunger and thirst had made too weak to travel. One day when they were about to die the boy crawled out to the field to see if there was one living thing, and to his surprise he found a stalk of sugarcane growing lustily. He eagerly cut it, and enough water came out to refresh him and his sister until the rains came. Because of this, their children are called Bagobo.
REFLECTION
The narrative already begins with the time of the mid-Lemurian races when sexual procreation became the mode or reproducing humans. This was the first over-arching context of twinflame soul aspects that would search for each other as husband and wife in the physical plane.
Toglia & Toglibon are the equivalents of the Adam & Eve in Semitic mythos. Adam was another version for Edoma or Adoma, that subcontinent of Mu where sexed humans first appeared. Toglia & Toglibon bore a ‘girl & boy’ who migrated to other lands across the vast sea (ocean) and birthed other races—signifies the next sub-races that gave birth to the subsequent ‘root-races’ of Atlanteans and Caucasian Aryans.
Toglia & Toglibon bore many other children signifies the evolution of other sub-races and constituent racial families of Lemurians and onwards to their offshoot races of Malays who were among the last Lemuro-Atlanteans in the 4th ‘root race’ eons.
‘Their children, the Spaniards and Americans, came back’ is as factual as it is: Caucasian Aryans evolved at a latter historical epoch, even as the term ‘Aryan’ has come to generically refer to the present ‘root race’. Scions of the 4th ‘root races’ have become Aryanized in psyche, which stresses the development of the mental or 3rd body faculties.
Thus genealogically, the Lemurians/Mu gave birth to the Atlanteans, as the Atlanteans in turn bred the Aryans among whose racial families are the Indo-Europeans. The Kelts were among the last sub-races of Atlantis, and thus the first of the Aryans, among whose tribes were the Iberians (Spaniards were Iberians). The Teutons were among the mid-to-latter Aryan races, among whose scions were the AngloSaxons (Americans included).
[Philippines, 23 June 2011]
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PROF. ERLE FRAYNE ARGONZA WEBSITE: http://erleargonza.com

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Sunday, August 19, 2012

MELU & BILAAN CREATION LORE



Erle Frayne D. Argonza

The Story of the Creation - Bilaan (Mindanao)

In the very beginning there lived a being so large that he cannot be compared with any known thing. His name was Melu, and when he sat on the clouds, which were his home, he occupied all the space above. His teeth were pure gold, and because he was very cleanly and continually rubbed himself with his hands, his skin became pure white. The dead skin which he rubbed off his body was placed on one side in a pile, and by and by this pile became so large that he was annoyed and set himself to consider what he could do with it.
Finally Melu decided to make the earth; so he worked very hard in putting the dead skin into shape, and when it was finished he was so pleased with it that he determined to make two beings like himself, though smaller, to live on it.
Taking the remnants of the material left after making the earth he fashioned two men, but just as they were all finished except their noses, Tau Tana from below the earth appeared and wanted to help him.
Melu did not wish any assistance, and a great argument ensued. Tau Tana finally won his point and made the noses which he placed on the people upside down. When all was finished, Melu and Tau Tana whipped the forms until they moved. Then Melu went to his home above the clouds, and Tau Tana returned to his place below the earth.
All went well until one day a great rain came, and the people on the earth nearly drowned from the water which ran off their heads into their noses. Melu, from his place on the clouds, saw their danger, and he came quickly to earth and saved their lives by turning their noses the other side up.
The people were very grateful to him, and promised to do anything he should ask of them. Before he left for the sky, they told him that they were very unhappy living on the great earth all alone, so he told them to save all the hair from their heads and the dry skin from their bodies and the next time he came he would make them some companions. And in this way there came to be a great many people on the earth.
REFLECTION
Of golden hue and white of Divine Light, such is the description of the creator deity Melu. His abode was the ‘clouds’—signifier for the higher dimensions. ‘He occupied all the space above’ clearly projects the Omniscience, Omnipresence, Omnipotence of the One Universal Principle or Almighty God.
‘A being so large’ is an apt description for cosmic beings more so the creator deities who achieved perfection in previous Manvantaras yet, whose auras alone can fill up and protect many stars/suns, planets, and life-forms. The Lord Solar Logos, deity of our Solar system, for instance, has his aura protecting our Sun or Sol. Absent His Divinity and the entire Sol, planets & respective moons will go back to chaos.
Deities don’t have skins literally, though in manifest form indeed deities can look like they have skin. From out of free matter of the lower dimensions the deities created every sort of material vehicles for sentient life to occupy in their evolutionary sojourns—this is signified by using dead skin to make earth.
The breeding of early humans, of the first three (3) ‘root races’, were clearly indicated. This was a collective effort of Melu and Tau Tana, which shows the synergy of Brahma & Elohim with the hierarchs of the elementals & devas in order to create the mental, astral, and physico-etheric vehicles.
Two (2) men being the first human evolutes signifies the 1st and 2nd ‘root races’ or Pangean/Hyperborean humans who regenerated asexually. ‘The men asked Melu for companions’ signifies the coming of the Twinflame souls in the aegis of the sexually reproducing mid-Lemurian racial families in the 3rd ‘root race’.
The cyclical geo-magnetic changes of Terra, which floods the surface at certain junctures of polar reversals or shifts, was also indicated as already happening during the 1st & 2nd ‘root races’.
[Philippines, 23 June 2011]
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PROF. ERLE FRAYNE ARGONZA WEBSITE: http://erleargonza.com

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Erle Frayne D. Argonza

The Story of the Creation - Bilaan (Mindanao)

In the very beginning there lived a being so large that he cannot be compared with any known thing. His name was Melu, and when he sat on the clouds, which were his home, he occupied all the space above. His teeth were pure gold, and because he was very cleanly and continually rubbed himself with his hands, his skin became pure white. The dead skin which he rubbed off his body was placed on one side in a pile, and by and by this pile became so large that he was annoyed and set himself to consider what he could do with it.
Finally Melu decided to make the earth; so he worked very hard in putting the dead skin into shape, and when it was finished he was so pleased with it that he determined to make two beings like himself, though smaller, to live on it.
Taking the remnants of the material left after making the earth he fashioned two men, but just as they were all finished except their noses, Tau Tana from below the earth appeared and wanted to help him.
Melu did not wish any assistance, and a great argument ensued. Tau Tana finally won his point and made the noses which he placed on the people upside down. When all was finished, Melu and Tau Tana whipped the forms until they moved. Then Melu went to his home above the clouds, and Tau Tana returned to his place below the earth.
All went well until one day a great rain came, and the people on the earth nearly drowned from the water which ran off their heads into their noses. Melu, from his place on the clouds, saw their danger, and he came quickly to earth and saved their lives by turning their noses the other side up.
The people were very grateful to him, and promised to do anything he should ask of them. Before he left for the sky, they told him that they were very unhappy living on the great earth all alone, so he told them to save all the hair from their heads and the dry skin from their bodies and the next time he came he would make them some companions. And in this way there came to be a great many people on the earth.
REFLECTION
Of golden hue and white of Divine Light, such is the description of the creator deity Melu. His abode was the ‘clouds’—signifier for the higher dimensions. ‘He occupied all the space above’ clearly projects the Omniscience, Omnipresence, Omnipotence of the One Universal Principle or Almighty God.
‘A being so large’ is an apt description for cosmic beings more so the creator deities who achieved perfection in previous Manvantaras yet, whose auras alone can fill up and protect many stars/suns, planets, and life-forms. The Lord Solar Logos, deity of our Solar system, for instance, has his aura protecting our Sun or Sol. Absent His Divinity and the entire Sol, planets & respective moons will go back to chaos.
Deities don’t have skins literally, though in manifest form indeed deities can look like they have skin. From out of free matter of the lower dimensions the deities created every sort of material vehicles for sentient life to occupy in their evolutionary sojourns—this is signified by using dead skin to make earth.
The breeding of early humans, of the first three (3) ‘root races’, were clearly indicated. This was a collective effort of Melu and Tau Tana, which shows the synergy of Brahma & Elohim with the hierarchs of the elementals & devas in order to create the mental, astral, and physico-etheric vehicles.
Two (2) men being the first human evolutes signifies the 1st and 2nd ‘root races’ or Pangean/Hyperborean humans who regenerated asexually. ‘The men asked Melu for companions’ signifies the coming of the Twinflame souls in the aegis of the sexually reproducing mid-Lemurian racial families in the 3rd ‘root race’.
The cyclical geo-magnetic changes of Terra, which floods the surface at certain junctures of polar reversals or shifts, was also indicated as already happening during the 1st & 2nd ‘root races’.
[Philippines, 23 June 2011]
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PROF. ERLE FRAYNE ARGONZA WEBSITE: http://erleargonza.com

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Friday, August 17, 2012

UNIVERSE’S CREATION IN BUKIDNON FOLKLORE


UNIVERSE’S CREATION IN BUKIDNON FOLKLORE

Erle Frayne D. Argonza

How the Moon and the Stars Came to Be - Bukidnon (Mindanao)

One day in the times when the sky was close to the ground a spinster went out to pound rice. Before she began her work, she took off the beads from around her neck and the comb from her hair, and hung them on the sky, which at that time looked like coral rock.
Then she began working, and each time that she raised her pestle into the air it struck the sky. For some time she pounded the rice, and then she raised the pestle so high that it struck the sky very hard.
Immediately the sky began to rise, and it went up so far that she lost her ornaments. Never did they come down, for the comb became the moon and the beads are the stars that are scattered about.
REFLECTION

‘When the sky was close to the ground’ speaks of the eons when the cooling Earth was of higher vibratory frequency than it is today, thus rendering it nearer to the Great Central Sun or God Almighty. It wasn’t even a part of the sun yet, and could have freely floated in space prior to its gravitation to Sol whence its orbit came to being.

The ‘spinster’ is the folks’ idea of conserving ancient truths about creator deities who were collectively identified in the Female gender. The space-domain ‘looked like coral rock’, signifying the spread of matter across the vast expanses of the expanding universe as part of the Manvantara or great cycle of life.

‘Coral rock’ is an embed of the principles of solidity (rock is solid) and liquidity (corals come from the sea), or earth and water elements. ‘Coral’ is a species of life that thrives on water, so it is a good archetype for vegetative & animal species then evolving when Terra was still in higher dimension.  

‘She pounded the rice’, the pounding thus pushing the sky further from where the spinster stood—this signifies the further expansion processes as matter and Divine Light continued to fill up the void. The creation of the material planes—the causal, then the mental, then the astral, till finally the physical planes, in that order—was suggested here.

‘Comb became the moon’ and ‘beads are the stars’ is of course an embed of the ancient wisdom’s truths about the creator deities’ galvanization of solar systems and satellites signified by moon. The usage of personal body ornaments such as ‘comb’ and ‘beads’ surely renders the narrative very interesting and amusing.

[Philippines, 23 June 2011]

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