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Tuesday, July 31, 2012

BIRDS & SEA ARCHETYPES IN BORNEO CREATION MYTHS


BIRDS & SEA ARCHETYPES IN BORNEO CREATION MYTHS
Erle Frayne D. Argonza / Ra

The origin-legends of the north-west Borneo tribes are related to the type of cosmogonic myth which has just been considered in that they set forth belief in a primeval sea and in the important part played by birds, although they imply something more of a direct creation. According to one of these," in the beginning there was nothing but a wide-spread sea, over which flew two birds, who, diving, brought up two objects like eggs in size and shape, from one of which one bird made the sky, while from the other his fellow created the earth. As the size of the latter exceeded that of the former, it was pressed together in order that it might fit, its resultant crumples and folds producing the mountains and valleys. Other versions 52 speak of an original deity without legs or arms, who seems to have been supported upon an animal, and who by an act of will created two birds, which then formed heaven and earth.
REFLECTION
The sea signifies the astral plane that is governed by the water element. Incidentally, when more advanced species of plants and animals appeared on Earth, the vibratory frequency of the planet was still of the astral or 2nd plane modality, while the entire planet was practically covered by water.
The bird archetype has a number of meanings in cosmogony & divine wisdom. One is the phallic/Desire signification, without which existence and procreation cannot be possible. Another meaning is that of the ‘air element’, as birds are creatures of the air, which therefore refers to the mental plane (3rd plane) that is governed by the same element. Still another meaning is that of the Supreme Being, whenever the bird is a ‘dove’ that is among the standard archetypes for the Almighty Father.
The narrative reveals the interactions or interventions happening at the mental astral planes prior to the full descent of human souls into the dense physical planes. The ‘egg is shape’ is revelatory of the first two (2) ‘root races’ that were asexual in reproduction, and were of shadowy etheric constitution.
The ‘original deity without legs or arms’ clearly speaks of the Creator Beings—collectively identified in the singular—who were amorphous. From the 4th through the 7th planes, beings do not have forms, though they can manifest to mystics and/or rishis with forms and even create temporary bodies to be able to fully manifest before their bakthas (devotees).
[Philippines, 22 June 2011]
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Monday, July 30, 2012

REPTILOID VS DIVINE CLASH IN BATARA GURU OF KARO BATTAK


REPTILOID VS DIVINE CLASH IN BATARA GURU OF KARO BATTAK

Erle Frayne D. Argonza

One more version may be given, that from the Karo Battak, who, like the Dairi, live north of the Toba. According to this, Batara Guru, the heaven deity, and his wife, who was the daughter of the divinity of the underworld, full of sorrow at their childlessness, determined to try the effect of penance in poverty and seclusion, and accordingly went to live in a little hut by the sea. Here they planted a small garden, which was destroyed by a great serpent that came out of the water, but when Batara Guru went to drive it away, the monster demanded that he put food into its mouth. Fearing lest his hand be bitten off, Batara Guru wedged open the mouth of the serpent with his sword, and withdrawing his hand, found upon his finger a magic ring which would grant his every wish. The serpent then returned to the sea, and in due course of time, aided by the ring, the wife of Batara Guru presented him with three sons and three daughters. One of these sons created the world in the space between the upper world and the under-world, making it with seven handfuls of soil sent him by his father, who, when the earth was finished, suspended it from the sky by seven silken cords. The newly created world caused the underworld to be darkened, which aroused anger in that one of the three sons who had taken up his residence there. Therefore he shook the world so violently that it was destroyed. Seven times this was repeated, the earth being made anew each time, until the world-maker besought his father to aid him, and this Batara Guru did, setting up an iron pillar which sup-ported four cross-beams, upon which the world was then founded. After this the underworld-brother could shake the world (as indeed he does to this day), but was unable to destroy it.
REFLECTION

‘Batara Guru and wife’ suggest strongly the coupled role of Brahma & elohistic forces on one hand, and that of Shakti (Mother) and the angelic forces on the other hand. ‘Divinity of the underworld’ signifies the deific beings assigned to help create humans in the astral and physical dimensions which collectively are ‘underworld’.

Both forces, from Brahma-Elohim to Shakti-devic/angelic were to collaborate in birthing humans down on the lower planes or ‘underworld’. The ‘little garden’ is the devachan to which early humans had direct access to, that access later to be destroyed by the descent into the dense plane on account of succumbing to the dictates of the reptiloid species that intervened in the evolutionary process.

The ‘7 handful of soil’ refers to the 7 subcontinental regions of each of the supercontinents that emerged on Earth’s lower globes or planes. Pangea (also called Hyperboria) and Lemuria were the first supercontinents populated by humans, each one with 7 distinct sub-continents or regions. Current geologists know of a super-continent before Pangeaa, but there were no humans yet in that primordial land mass.  

The clash between the ‘new world of 7’ and the ‘underworld’ refers to the changes that went on in Earth as it cooled down further from its primordial hot stage, each time producing new land mass configurations. This facet of the myth can be extrapolated, to show that the process of geological-electromagnetic changes will continue into the future, thus changing the land mass configurations across the eons to come.

The clash between the Reptilian/Dvil forces and the Divine/Light forces is clearly shown in the mythos. As revealed, the reptilians reside in the astral dimension that is signified by the sea.

Four-cross beams that were supported by iron pillar, which is the foundation of human life, signify the four elements of earth, water, air, fire as they combine (Quaternary principle), blend and harmonize to constitute the material vehicles for making living possible. ‘Iron pillar’ signifies the over 100+ elements on earth—discovered today by chemists—that can indeed support existence down here.

[Philippines, 20 June 2011]

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Tuesday, July 24, 2012

BRAHMA & ELOHIM IN BATARA GURU MYTH OF DAIRI BATTAK


BRAHMA & ELOHIM IN BATARA GURU MYTH OF DAIRI BATTAK
Erle Frayne D. Argonza

The Dairi Battak, who live to the north of the Toba and are .more or less in contact with the Muhammadanized Garo, have a version 26 which presents interesting differences. Batara Guru (Sanskrit Bhattara Guru), the highest of the gods, once sent a servant to get some venison, which was greatly desired by the deity's wife, who was about to give birth to a child. The hunt being unsuccessful, the divinity then sent the raven on the same quest, but he also could find no such food any-where in the realms of the gods. In the course of his search, however, he discovered a cave, in which was a pit whose bottom he could not discern. The longest vine was too short to measure its depth, and a stick thrown down the opening disappeared without a sound to indicate that it reached bottom. Determined to solve the mystery, the raven flew down into the opening, and after a long journey in complete darkness at last reached the surface of a wide-extending sea. After exploring in vain, the raven wished to return in order that he might report his discovery, but could not retrace his way to the opening through which he had come, though luckily he found floating upon the sea the bamboo which he had thrown down the hole, and on this he rested.
Meanwhile Batara Guru became impatient, and accompanied by several attendants, he flew down the dark opening in the cave, taking with him from the sky-world a handful of earth, seven pieces of wood, a chisel, a goat, and a bumble-bee; and reaching the surface of the sea, he built a raft from the pieces of wood. The raven now appeared, sitting upon the floating piece of bamboo, and at his request Batara Guru called to the eight wind-directions, whereupon darkness at once gave place to light. By his command the goat, accompanied by the bee, went down under the raft to support it on his horns; but in finishing the raft the chisel broke, and the handle hit the goat upon the head, which made him shake it violently, and the raft with it, for which the deity chided him and ordered him to keep still. Then taking the earth which he had brought with him, Batara Guru spread it upon the raft, thus making the world, and gave this to the raven for a dwelling-place.
REFLECTION

Another one of the myths that is so rich in archetypes. Batara Guru (Bathala in Tagalog) signifies collectively Brahma, deity of the physical universe, and the Elohim, originally comprising of 7 hierarchs who assisted in the ideation and materialization of forms.

The descent from spiritual to the material planes by the souls so created was also depicted. Venison, raven, bumble bee, and so on, are symbolic of the devic and elemental forces that would assist in creating vehicles of forms for humans to embody into in the descent to the material planes.

The narrative concluded with the formation of the life-supporting dimensions or ontological planes, ready for evolving the humans that were on the progressive descent to the physical plane where mental and physical perfection will be achieved. Thus, spiritual, mental, and physical evolution all happen in synchronous fashion.

[Philippines, 20 June 2011]

Monday, July 16, 2012

KUNDALI, REPTILIANS, SANAT KUMARA & MICHAEL IN BORNEO & SUMATRA MYTHS


KUNDALI, REPTILIANS, SANAT KUMARA & MICHAEL IN BORNEO & SUMATRA MYTHS

Erle Frayne D. Argonza

With them we may compare the origin-myths of several of the tribes of south-eastern Borneo. One version states that in the beginning there were only the sky and sea, in which swam a great serpent upon whose head was a crown of gold set with a shining stone. From the sky-world the deity threw earth upon the serpent's head, thus building an island in the midst of the sea; and this island became the world. A slightly variant account 22 declares that the deity sent down a messenger or servant to report upon conditions, and that it was this servant who spread the earth on the serpent's head. Still another version from this same region is interesting in that it serves as a transition to those found in Sumatra. Ac-cording to this tale, in the world of the gods there were two trees, one of which bore a bud or sprout in the form of a ball. By the motions of a bird, which sat on this tree, the bud was shaken off and fell into the Spirit River, in which a great serpent dwelt; but though the latter tried to swallow the mysterious object, it escaped him, and drifting to the shore, was metamorphosed into a woman. Marrying a man who was developed from a tree-trunk floating in the sea, she gave birth, first, to six streams of blood from which all evil spirits came; and finally to two sons, one of whom, taking with him the seeds of all plants and animals, was lowered from the sky-world, where all these events occurred, to the earth (of whose origin nothing is said) that he might prepare it for men.
REFLECTION
The core narrative articulates on the ‘serpent whose head was a crown of gold’. The serpent has double meaning, though in this myth it reveals the serpentine-like kundalini that begins from the spine and ends in the crown chakra (‘head was a crown of gold’) that is golden an energy center with almost 1000 petals.
The second meaning of ‘serpent’ is the reptilian species that intervened in breeding the early humans. This facet of our evolution could very well be embedded in the Bornean myths.
The ‘throwing of earth’ signifies the descent of the human souls down the earth plane, ‘thus building an island’ as the tale goes. Geologists & physical scientists are of the opinion that there were already two (2) supercontinents that emerged on Earth, the 2nd one being Pangea or ‘land of Pan’. That’s the ‘hyperborean’ as revealed by Divine Wisdom or Theos Sophia, where the etheric/shadowy humans nestled and grew.  
In the Sumatran version, trees preceded human evolution, which is the fact: life evolved first from the mineral (1st Round), then to the vegetative signified by ‘tree’ (2nd Round), then to the animal (3rd Round), till finally came the devic-human evolutionary round of today (4th Round). Two trees preceded humanity, meaning two evolutionary rounds after the vegetative came the devic-man.
The ‘bud or sprout in the form of a ball’ clearly signifies the etheric/shadowy humans of the 1st through the middle of the 3rd ‘root races’ that were asexual in breeding. Interestingly, these races were identified in the Female gender, which means the strength of the Feminine Principle was dominant in the early humans: intuition, creative imagination, astral vision/paranormal.
The woman marrying a man signifies the coming of sexed humans in the mid-Lemurian, and necessarily the splitting of souls into Twinflames who would find each other as mates in the lower domains. …Giving birth to ‘six streams of blood from which all evil came’ signifies the beginnings of the Fall of Man. 6 streams seem to suggest six (6) sub-races or genetic strains when the Fall or descent into the dense spheres came.
Two (2) ‘sons’ coming from the Sky-world signifies the intervention of the creator beings, with summons from the Supreme Being, to aid mankind in stopping the descent. This time, ‘son’ is referent for ‘sonship’, meaning Ascended Beings who may indeed be of ‘two’ batches sent forth by the Supreme Being with approval of the Most Divine Elders or ‘council of 24’.
The two ‘sons’ seem to point to Ancient of Days and Michael, who indeed are the most involved among Hierarchs in salving the Terrans’ fallen predicament. Sanat Kumara brought along 6 other Kumaras to Earth (nestled in Shamballah), while Michael came with 6 other Archangels. Two sons, each with two teams of total 7 Kumaras + 7 Archangels.
[Philippines, 20 June 2011]
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Saturday, July 14, 2012

MU, TWINFLAMES IN LIMIMU-UT TALE


MU, TWINFLAMES IN LIMIMU-UT TALE
Erle Frayne D. Argonza / Ra

This more wide-spread class assumes the existence of a sky-world or upper realm, and of a primeval sea below it in which or on which the world is made. We may begin with the out-line of a myth 'told in Minahassa which is a variant off the one just given. According to this form, in the beginning there were only the sea and a great rock which was washed by the waves, and which, after first giving birth to a crane, sweated, from the sweat being produced a female deity called Lumimu-ut. Advised by the crane of the existence of the "original land," she got from thence two handfuls of earth which she spread upon the rock, and so she created the world, on which she planted the seeds of all plants and trees, obtaining them from the same "original land." 10 Having thus made the earth, Lumimu-ut ascended a mountain, where the west wind blew upon her and made her fruitful. In due time she bore a son, and when he had grown to manhood his mother advised him to seek a wife, but though he sought far and wide, he could find none. So Lumirnu-ut gave him a staff, whose length was equal to her own stature, bidding him to seek for a woman who should be less tall than the staff, and telling him that when he should find such a person he would know that she was the one he was destined to marry. Mother and son then separated, one going to the right and one to the left, and travelled around the whole world until at last they met again, without recognizing each other, and lo! when he set the staff beside her, its length was greater than her stature, for without his knowledge the rod had increased in height. Believing, therefore, that the woman, who was indeed his own mother, was she of whom he had been told, he married her, and she bore him many children who became gods. This form of myth does not, indeed, directly refer to the sky-world, but speaks of the "original land" from which Lumimu-ut obtained earth and seeds for the construction of the world. It is interesting to compare the incident of the birth of Lumimu-ut from the rock, which alone broke the surface of the primeval sea, with the Tongan and Samoan 12 myths of the origin of the first beings and of the world from a stone which split open; and a similar idea also occurs in Melanesia. Perhaps more characteristic of this type of origin-myths are the legends of the Kayan, Kenyah, and Bahau of central Borneo. According to the Kayan, originally there was nothing but the primeval sea and over-arching sky; but from the heavens there fell into the sea a great rock, upon whose barren surface, in course of time, slime collected, from which were bred worms that bored into the rock. The sand produced by this boring collected, eventually covering the rock with soil, and after many years there fell from the sun upon this land the wooden handle of a sword which, taking root, grew into a great tree; while from the moon fell a vine which clung to the tree and rooted itself in the rock. From this mating of the tree and vine were born two beings, a boy and a girl, who wedded in their turn and became the ancestors of the Kayan 15 Another version 16 varies somewhat in its details. In the beginning a spider descended from the sky 17 and spun a web, into which fell a tiny stone that grew and grew until it filled all the space under the horizon. A lichen fell from heaven upon this rock, to which it adhered, and then came a worm, from whose excrement the first soil was formed. This covering of earth gradually spread over all the rock; and next there fell upon the ground so made a tree, which at first was tiny in size, but which took root and grew great. A crab now dropped down to the earth and with its claws dug and scratched in the ground, thus forming the mountains and valleys. Plants grew upon the earth, and a vine, winding itself about the tree, mated with it. Finally, two beings, one male and one female, descended from heaven upon the tree, the male dropping a sword-handle and the female a spindle. Mating, these objects bore a child which had only head and body, but no arms or legs; and this monster in its turn produced two children, a boy and girl, who united and gave birth to offspring, which from generation to generation became more and more human in form until finally they were wholly so. These and their descendants then became deities of various sorts."
REFLECTION

The ‘sea’ or astral plane (2nd plane, governed by water element) and ‘rock’ or physical plane (1st plane, governed by earth element), were shown to be ready for life-form evolution. The ‘crane’ has a double meaning: Desire, symbolized by the bird (also symbolic of the Phallus), and Father-God or One Universal Principle the creator of all life in the objective and subjective domains.

The coming of Limimu-ut times with the presence of the crane. The astral element is center of desire/feelings/emotion, which means then that the ‘crane’ was or Desire/astral body was pre-requisite for breeding humans in the 1st plane.

Limimu-ut can be further segregated to form the morphemes LI MI MU UT. By so doing, you can already see the term MU embedded in the revered lady deity. Limimu-ut signifies both the supercontinent of MU and the Lady deity who sponsored its making as preparatory to the breeding and growth of the peoples of Mu.

Mu/Limumu-ut breeding a son refers to the evolution of the asexual or hermaphroditic subraces of Mu. The son looking for a woman signifies the coming of the sexes, and the titillating notion of Twinflame soulmates coming to find each other in the newly sexed humans—of the mid-Lemurian ‘root-race’.
The equivalent myths in Borneo reveal the same, though with variant versions. Notice the archetypes given, which makes the narratives very amusing to observe and challenging to interpret. The descent of the rock from the sky in the Kayan myth, for instance, reveals the descent of the five (5) cosmic elements of ether, fire, air, water, and earth elements in that chronological order.

The notion of Twinflame mates is also very cleverly embedded in the anthropogenetic myths. Such a revelation is also found in the Philippine anthropogenesis tales such as the story of Malakas & Maganda, or Strong & Beauty, who emerged together from inside a piece of bamboo (bamboo signifies the DNA strands).  

[Philippines, 20 June 2011]
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Tuesday, July 10, 2012

ANTHROPOGENESIS IN MINAHASSA MYTH


ANTHROPOGENESIS IN MINAHASSA MYTH

Erle Frayne D. Argonza / Ra

Although the existence of the earth is postulated in Minahassa, in the extreme north-east of Celebes, we find an origin given for some of the gods and for mankind.' In the beginning the wind blew over the sea, and raising great waves, drove upon the shore the spume which their beating caused, the mass of foam being in the shape of an egg. The sun shone upon this, and from it was born a boy, who grew miraculously. One day, as he wandered along the shore, he saw a girl sitting upon a rock from which she had just been born, and taking her to wife, he thus became the parent of mankind. This and the preceding type, in which the cosmogonic element was wholly lacking, are, however, not common in Indonesia, and it is only when we turn to the next category that we find one current over large areas.
REFLECTION

The narrative refers to the emergence or evolution of humans and related life-forms on Terra. The occult term for human evolution is anthropogenesis (see HP Blavatsky, Secret Doctrine, Vols. 1 & 2).

Wind is signifier for the Life-Force, without which life in the lower domains can’t be possible. The ‘wind blowing the sea’ points out to the water domain of the astral plane—signified by ‘sea’ or water element—as the first location for creating early humans.

The ‘mass of foam in the shape of an egg’ is signifies the etheric cum astral bodies of the first humans, rendering proto-Terrans as shadowy, etheric, blobs of Light in looks. Exactly what Divine Wisdom or Theos Sophia had revealed in anthropogenesis.

Pangean ‘root-races’, two in all, up through the mid-Lemurians, were asexual in borning Terrans. Early Lemurians were ‘sweat-born’ or ‘egg-born’, which is revealed by the signifier ‘egg’ in the narrative.

The man meeting the woman signifies the coming of the sexes, during the mid-Lemurian epoch. Mid-Lemurian means the 4th sub-race among 7 sub-races. This part of the narrative is equivalent to the coming of Eve, who was created from the ‘rib of Adam’, the ‘rib’ signifying the etheric ‘double’ of the early Adam Kadmon humans.

[Philippines, 20 June 2011]

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Sunday, July 08, 2012

SIRIUS, GOLD CORD, ANTHROPEGENIS IN KEI ISLANDS’ CREATION MYTH


SIRIUS, GOLD CORD, ANTHROPEGENIS IN KEI ISLANDS’ CREATION MYTH

Erle Frayne D. Argonza / Ra

A more circumstantial myth is recorded from the Kei Islands in the extreme south-east of the Indonesian area. According to this tale, there were three brothers and two sisters in the upper sky-world. While fishing one day, Parpara, the youngest of the brothers, lost a fish-hook which he had borrowed from Hian, his oldest brother, who, angered by the loss of the hook, demanded that it be found and returned to him. After much fruitless search, the culprit met a fish who asked him what his trouble was, and who, on learning the facts, promised to aid in the search, at length discovering another fish who was very ill because of something stuck in its throat. The object proved to be the long-lost hook, which the friendly fish delivered to Parpara, who thus was able to, restore it to its owner. Parpara, however, determined to have his revenge upon his brother, and so he secretly fastened a bamboo vessel full of palm liquor above Hian's bed in such a way that when the latter rose, he would be almost certain to upset it. The expected happened, and Parpara then demanded of his brother that he return to him the spilled liquor. Hian endeavoured, of course fruitlessly, to gather it up, and in his efforts dug so deeply into the ground that he made an opening clear through the sky-world. Wondering what might lie below, the brothers determined to tie one of their dogs to a long rope and lower him through the aperture; and when they had done this, and the dog had been drawn up again, they found white sand sticking to his feet, whereupon they resolved to go down themselves, although the other inhabitants of the heaven-world refused to accompany them thither. Sliding down the rope, the three brothers and one of the sisters, together with their four dogs, safely reached the world which lay below, and which was thus discovered for the first time. As the second sister was descending, however, one of the brothers chanced to look up, at which his sister was so ashamed that she shook the rope and was hauled up by the other sky-people. In this way the three brothers with their sister were the first occupants of the world and became the ancestors of the human race.
REFLECTION

The Sky-world is signifier for the spiritual dimensions. This narrative reveals the preparations made in the said dimensions to check out on the new planet Terra at the edge of the Milky Way that seemed ready to support life.

3 Brothers and 2 Sisters refer to beings in the spiritual domains, notably creator beings, who could have been ready to check out on new planet. ‘Sliding down the rope’ reveals the ‘rope’ as the gold cord of the higher beings, which they can extend during their probes on Terra (traveling while probing signified by ‘sliding down’).

The Dog is often than not signifier for Sirius. Broadly, it signifies evolved species from higher dimensions, who are well immersed in higher Light which equates to their loyalty or undying devotion to the Supreme Being. Such ‘dogs’ were thus trusted enough to begin probes and aid the creator beings in experimenting on breeding early humans at the beginning of the 4th Evolutionary Round.

4 Dogs going under signifies 1 ‘dog’ for each of the four (4) ‘root-races’ –the 2 Pangean races, the Lemurian, and Atlantean—as products of the creative works of the early pitris or fathers. Polynesians are remnants of the 3rd race (Lemurians), while Malays and IndoMongolians were of the 4th root race (Atlantean).

The liquor mentioned is referent for the domain of the fire element—the 4th plane. That’s the causal or ‘higher mental’ plane, the higher of the two planes of Devachan or heaven-worlds. Just one notch lower than the 5th plane, the lowest of three (3) spiritual planes.

[Philippines, 21 June 2011]

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Monday, July 02, 2012

SANAT KUMARA, 7 DIMENSIONS, EARTH & EARLY RACES IN CELEBES MYTHS


SANAT KUMARA, 7 DIMENSIONS, EARTH & EARLY RACES IN CELEBES MYTHS

Erle Frayne D. Argonza

Some of the tribes in Celebes are also characterized by the absence of any myths referring to the creation of the world or of the gods, though they are unlike the type to which reference has just been made in that they have tales which account for the origin of mankind. The Bugi and the people of Makassar in the south-western part of the island state that in the beginning the son of the sky-deity was sent down to earth on the rainbow that he might organize and prepare the world for mankind. This task accomplished, he took to wife six female deities, three of whom had descended with him from the sky-world, and three of whom were derived from the earth or from the underworld, and thus he became the ancestor of all mankind.
REFLECTION

Sky-deity refers to the Supreme Being, the One Universal Principle, or Almighty Providence, from whose Being emanated all life forms in the cosmos.

The ‘son of the sky-deity’ is no other than the creator deities, who were all fathered by the Supreme Being and achieved perfection in previous Manvantaras yet, referred collectively in the singular ‘son’. The ascended beings also go by that collective term, even as we who are in the lower dimensions must one day fulfill our ‘sonship’.

‘Sent down to earth on a rainbow’ refers to the descent of Light beings across the 7 Dimensions or planes. The rainbow has 7 spectra of colors, each one thus representing a dimension or plane. From the monadic (7th plane), down to the Buddhic (6th plane), then down to the nirvanic (5th plane), then down to the causal (4th plane), then down to the mental (3rd plane), then down to the astral (2nd plane), and finally down to the physical-etheric (1st plane).

‘He took to wife six female deities’ signifies the involvement of six planetary logoi added to main logos of Terra—Ancient of Days—to comprise 7 male deities, each one of whom had a female Twinflame deity. Ancient of Days arrived on Earth with 6 other logoi, and they came en-route from Venus prior to descent to Earth.

‘Three of whom had descended with him from the sky-world’ signifies the descent to the Etheric plane by Sanat Kumara and three (3) other planetary logoi, as the three (3) others returned to Venus. Lady Venus, by the way, is the Twinflame of Sanat Kumara, and is rightfully our Mother.

[Philippines, 20 June 2011]

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